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Month: March 2019

Lenten Beauty: 3/29/19

A pink VW bug passed. Pink cars everywhere. In the harbor, in my nightmares. The image of Delia pedaling her pink Barbie car round and round our Longmont hedges popped up, and I shut my eyes, corralling my thoughts before they ran away from me. My mind—and eyes—not where they should have been, the toe of my shoe caught, and I tripped. Caught at a branch wrapped with vines. Thorny vines. I snatched my hand away, but a string of thorns the size of brad heads tattooed my skin. I yanked them out one by one, sucking droplets of blood. “Coot, you damn fool.” I gripped my palm as I waited for the throbbing hurt to lessen before I started again—damn Lithium made me clumsy as a drunk. It was a terrible drug. ‘Cept it kept me sane. 

(an excerpt I wrote today in my ongoing revision of HARBORING EVIL, a Coot Long mystery)

Your Mama is Always Right

When I was young, I was hoping for something, I don’t remember what. But it involved a letter arriving in the mail. I was slumping around, despondent, certain the news would be bad. My mother said, “Look at you, you haven’t even read the letter yet!” Then she added something that has stuck with me ever since: “You aren’t even leaving room for the news to be good.”

I thought of this today when I went down by the Mississippi River to gather driftwood for a workshop I’ll be doing in a couple of weeks. My church in Bay St. Louis is hosting a cross-making workshop based on my book Making Crosses: A Creative Connection to God. Folks can bring their own cross-making material, but I said I’d bring stuff too. Driftwood is my FAVORITE cross-making material, and one thing I learned during the years I was making crosses: rivers have tons more driftwood than beaches.

When I arrived at the river, I realized it was high. I thought, oh, no! There won’t be any driftwood—the entire shoreline was gone.

The Mississippi River at Mud Island in Memphis. This line of trees is not ordinarily in the water.

As I neared, however, I saw how wrong I’d been. The river had actually been higher. It had crested and retreated. As the water ebbed, waves of driftwood had been left behind. And the city hadn’t arrived yet to scoop up the “debris” into piles. It was the perfect time to collect wood.

I made a real haul.

So that was the universe being forgiving. It had readied an awesome gift for me. I had assumed disappointment. Yet, the gift wasn’t withdrawn. I didn’t follow my mother’s advice and leave room for it to be good, but the universe slid in there anyway.

It’s gonna take all I have not to keep this perfect crucifix wood for myself.

Dogs in the Bed

I have a history of unhealthy, deranged harassment of the dogs in my bed (we’re talking canine dogs, not human ones).

For little Providence—sweet, gentle, patient Yorkie Providence—it was the Middle of the Night Companion Call.

Everyone in the bed would be sleeping. Snore, snore, snore. Except me. My eyeballs shone in the dark. Tick, tock, tick, tock. Bored and alone, I watched Providence’s tummy rise and fall for a minute. Then, “Providence, Providence,” I whispered. “Are you asleep?” If she didn’t respond, I gently shook her. “Are you asleep?” She opened her lids and rolled one eye towards me, staring and asking, are you really waking me up to ask me if I’m asleep?

Providence, escaping to the sofa where she can get some shuteye

For Evangeline, it’s the Butt Push, the Bed Patting, and the Knee Curl.

I no longer lie awake at night trying to determine if the dark behind my eyelids is darker than the room dark when I open my eyelids (blink, open, blink). So my life has improved. But I still harass the dog.

Evangeline needs harassing. Evangeline is a very selfish bed sleeper. Sometimes she sleeps between us. As soon as you get used to that, she escapes and tunnels under the bed to sleep. If it’s thundering or the train’s passing or some microscopic noise even an ant can’t hear is infiltrating the universe, she sleeps on my head.

I don’t feel as badly about harassing Evangeline as I did Providence.

So if she isn’t sleeping exactly where I want, I scoot her around by a (gentle) shove to the butt. If she is at the foot of the bed, and I want her to come sleep by me, I pat the bed incessantly. “Evangeline.” Pat, pat, pat. “Evangeline.” Pat, pat, pat. “Evangeline.” If she is EXACTLY where I want her to be, I curl my knee around her so she can’t escape.

Don’t report me to the ASPCA.

Evangeline, also escaping to the sofa for a nap

Lenten Beauty: 3/25/19

Lenten beauty is like manna. It can’t be hoarded, or it will rot. The point is to take a moment each day, think of God, and add some beauty to the world. So, today, you get 4 lenten beauties, because they all came from one trip to the grocery store.

Ruffles in the Front

I have been a fashion maverick ever since my three-year-old self tugged on her ruffled panties, backwards.

“Your panties are on backwards,” my mother said, pointing at my britches as I examined the cascading layers of beautiful white ruffles. “The ruffles go in the back.”

“I can’t see them in the back,” I responded and marched confidently into the fashion world, ruffles forward.

Not everyone appreciates my unique sartorial presentation. Some do. Like the man who walked up after church to tell me that he’d noticed me earlier. “I don’t know what it is,” he mused, “but you stand out.”

It was the gloves. And the vintage clutch clasped demurely in my hand. And the fire-engine red, needle-toed, patent leather pumps.

“Costuming,” a friend once called it. “You come close to costuming.”

She’s right. I like a theme when I dress, even if others don’t immediately recognize the tune I’m playing. My dressing remains, as it was with the ruffles forward, purely for my own entertainment.

What I don’t do is dress according to someone else’s theory of correctness. I’m referring to the standards that leave you with all that stuff in your closet that you never wear but bought because someone said, “Well, with your shape, you should wear bright colors on top and dark colors on bottom, not the other way around.” As a result, unloved clothes hang dispirited in the closet, and every morning as you swipe dark skirts and billowy tunics down the rod you wonder why is it that you never seem to have anything to wear.

My dressing standards are simple: I buy what I love. 

I admit that my way of shopping does not necessarily lead me to dress in what is currently accepted in my world as “good taste.”

“You’re not from Memphis, are you?” That’s what people ask when they’re trying to say basically, you wouldn’t dress like that if you knew better.

Some are more direct, like the waitress at a restaurant where I eat lunch. “You wear the oddest, most interesting clothes,” she said. Then added, “That skirt looks like something I’d wear.”

Of course it does. She always wears the cutest things.

I must admit: it makes me happy when someone likes what I have on. “I love the way you dress,” my conservative-dressing friend says, even though she’s quick to add that she’d never do it herself. I am her dressing alter ego—she looks, she enjoys, she moves on. I am inordinately pleased when someone much younger than I am compliments my dress. 

So, as I roll through life, I will continue to wear my rings and bracelets with their emblems facing me. I will be the only one in church sporting a flowery hat. I will forever be the one who zips on a floor-length skirt, then tugs a short skinny dress over the skirt and voila! an outfit that people say, “That dress is beautiful,” never knowing it is something I cobbled together that very morning. As long as I am able, I will continue to wear clothes the way I want to wear them, which is not always the way they were intended to be worn.

Ruffles in the back? 

Let’s wear them in the front, see how it goes. 

If you enjoyed this essay, take a look at MODEL FOR DECEPTION. This Southern mystery features a fashion model as an amateur sleuth. It’s a fun, fashion-forward, rollicky good read. Hope you enjoy it!

Bone Folding

This is what it looks like before it’s a book.

That’s a bone folder. You use it to sharpen your creases.

These are pages of the novel THE HART WOMEN being folded into signatures with a bone folder. If you squint, you can tell the pages aren’t consecutive. That’s because they will be sewn together. At that point, the pages will become consecutive.

Who’s doing this sewing? Marisa Whitsett Baker. She’s the amazing artist who is producing these one-of-a-kind special edition novels.

I wrote the story of an old house, a decision to be made, and the women in a wealthy but tangled family.

Together, Marisa and I are making a book. The book is presented as the journal an elderly woman wrote as she wandered from room to room in her former home trying to understand how the once-beautiful house came to ruin.

The intro page

Here’s the summary:

The house at 1011 St. Lawrence Street once rang with joy. Now, the porch sags, the window panes run with cracks. In one generation, the home that nurtured the wealthy Mississippi Hart family sits abandoned. Did tragedy undo the family, or did the family create its own misfortune? The story begins in 1968 Fairview, Mississippi, when Poppa Sam Hart dies…. 
Told through the eyes of favorite grandchild Emily Hart Fielding, The Hart Women explores the corrupting influences that entangle the human heart. Emily’s discovery of the  forgiveness she seeks will stay with the reader long after the book is finished. 

Each novel will be different. Here’s a glimpse of my personal copy that Marisa made from old (typo-ridden) drafts of the story.


We will be offering the novels for sale, one by one. You may want one to hold the beautiful journal in your hand. You may want one to lovingly follow Emily Hart Fielding’s story. You may want a collector’s item. But you’re going to want one, I just know it.

Books and Beyond

I loved being at the Benjamin L. Hooks Central Library this morning for the library’s Books and Beyond Book Club. I was pleased they had me, and they were warm and gracious. I had a prepared a talk, but they had questions right out of the gate. We wound up talking for an hour and a half. It was wide-ranging. The ostensible topic was my debut novel,TRACKING HAPPINESS: A SOUTHERN CHICKEN ADVENTURE. But we talked about everything.

How the grief over the tragedy of 9/11 led me to making crosses and eventually to write Making Crosses: A Creative Connection to God.

How a recommendation from a fellow student in a Memphis School of Servant Leadership class led me to start a writing group at the Door of Hope and edit the group’s memoir, Writing Our Way Home: A Group Journey Out of Homelessness.

How Cain’t Do Nothing with Love has been downloaded over 55,000 times worldwide (are those folks in Iran and Poland going around saying ‘y’all’?).

How my fashion model experience led me to write and release my second novel, Model for Deception, a Vangie Street mystery featuring a Memphis fashion model as an amateur sleuth.

And, of course, TRACKING HAPPINESS, the reason I’d been invited.

They seemed to have a good time. I had a good time. We had a lot of back and forth. Talking writing is fun. 🙂

“Never, Never, Never” Goes Live

We interrupt the (ceaseless) sharing of Lenten Beauty to offer an announcement: “Never, Never, Never” is now live at Connotation Press.

Years ago, “Never, Never, Never” was judged by Ron Rash to be the winner of the Tennessee Writers Association Fiction contest. The win did not come with publication. I was lucky enough to meet Mr. Rash at the Southern Festival of the Book in Nashville where the win was announced. In commenting on what he admired about the story, he said, “The river is a character.” It is, the river being the Mississippi (that’s like having to say, “New York City in New York”—is there any other?).

“Never, Never, Never” is a sort-of excerpt from THE BONE TRENCH. The characters weave in and out of the novel until you understand who they are. This is the 2nd excerpt from the novel I’ve had published. (This is the novel with the “had an agent, lost an agent, looking for a new agent” saga.) I would be happy if a new agent would take notice.

Aside from and independent of that, I’m really grateful to Jonathan Cardew for publishing the story in his fiction section of Connotation Press. It’s a Memphis story, through and through. Take a read. You’ll feel like you’ve been down by the river yourself.

© 2017 - Ellen Morris Prewitt |