Please enjoy this kicking review of Tracking Happiness: A Southern Chicken Adventure found on Susanne Fletcher’s Wuthering Bites blog. I am thrilled Susanne compared the comic dialogue to P.G. Woodhouse, whose Jeeves collection I long ago fell in love with and read in its entirety (how one gets so lucky as to be compared to a beloved writer, I don’t know.) It’s an extra special bonus when a review quotes some of your very own favorite lines from your book (“…a woman who represented everything I was not: sophisticated, voluptuous, and a really good speller.”) A well-written review is surely a gem unto itself.
If you haven’t discovered Susanne’s Wuthering Bites blog, take some time to look around. She is a great creative nonfiction writer, a true wordsmith who combines spectacular turns of phrase with insights that make you nod in recognition. I have followed her for years and thoroughly enjoy her work.
As an extra special super bonus, if you follow the link below, you can enjoy a haunting rendition of Gordon Lightfoot singing “Wreck of the Edmund Fitzgerald,” which, yes, is relevant to the review. Happy reading!
As they said in the 1950s when twin beds gave way to the double, “It is proving VERY popular.” Y’all are buying and reading and sharing photos of your very own copies of TRACKING HAPPINESS: A SOUTHERN CHICKEN ADVENTURE. That tickles me to no end. Your smiling faces, your wonderful support—thank you, thank you!
I’m in a really good place right now, professionally. I have four projects going on.
First, I’m continuing to get the word out on TRACKING HAPPINESS: A SOUTHERN CHICKEN ADVENTURE. It’s available in print and e-book now, shortly in podcast and audiobook. Soon, I’ll be agonizing and biting my nails over not having enough reviews on Amazon and how on earth am I going to get the word out about this hilarious book with a heart for chickens, but I’m copacetic for now.
Second, I’m working through a (hopefully) final edit on MODEL FOR DECEPTION: A VANGIE STREET MYSTERY. The cover is done for this cozy mystery (with my own peculiar brand of humor), and it is a show-stopper. My goal is to get the book formatted and audio completed while all the team members (cover + formatting; sound engineering; and podcast production) remember how to do what we are doing. 🙂
Third—and most exciting—I’ve begun reading for the new novel, tentatively titled Moses in the Gulf. The story will take place in Mississippi; it will involve a quest to “let my people go;” and it will be funny. In preparation, I’m reading A New History of Mississippi(lord, I’ve read lots of old histories, and they are SO terrible, I petitioned the Memphis Public Library to remove one or shelve it wherever they offered propaganda, and they removed it). I’m still forming an opinion of this book; it tends toward a traditional telling interspersed with more honesty than was previously found in Mississippi histories. On my bedside table are two biographies of Moses and one each of Malcolm X and Frederick Douglass, which I can’t wait to get into. Many of my books (surprisingly enough) are heavily researched. For me, facts are keys that unlock the imagination, and the resulting stories are my attitude about those facts.
Fourth, and final, I’m waiting to hear back from an agent who is reading JAZZY AND THE PIRATES. Have I even told y’all I finished the rewrite of the manuscript, got good reader feedback, and sent out a query letter? The agent was “very intrigued,” and it’s in her hands now. Steps 1-3 are keeping me distracted from the nerve-racking hope that I get an agent for this story who can sell it and release Jazzy’s rambunctious spirit into the world. But anticipation is not a negative for me; it’s part of the fun.
I needed a place to read my Walter Mosley mystery so I put together the porch cot.
The last two years, I’ve put together lots of furniture in this house. Some of it was easier than others, like these pieces:
Others were harder, like these sets of shelves:
I guess I technically put this side table together, but it was more of a design: add a tray to a discarded garden table:
And here is my piece de resistance:
I’m getting out the bookplates on TRACKING HAPPINESS: A SOUTHERN CHICKEN ADVENTURE. If you want one, use the Contact form, and I’ll mail it to you. As they said in the 1950s when twin beds gave way to the double, “They are VERY popular.” As Lucinda says, “I personally don’t see the point of being in business with chickens if you aren’t gonna be nice to them.”
Speaking of beds, I’m now off to the garden to add stepping-stones to the soon-to-be flower/crops bed. Being productive makes me feel so good!
When I left Mississippi, I lost the Midnight Gardner.
In the middle of the night, he would arrive. The next morning, on my way to work, when I locked the door behind me, a small brown paper bag with a crumpled neck waited on the hood of my car. Inside the bag tumbled tomatoes. The tomatoes might be a little wormy or spotted with yellow patches, but they were homegrown. They were delicious. I would eat so many my tongue broke out in hives.
The Midnight Gardner did not confine himself to tomatoes. Sometimes a round cantaloupe would bulge the bag. The Midnight Gardener was known to prefer the Ambrosia Hybrid melon whose meat was so smooth it would melt under the knife, the knife slicing through the orange, the slice curving onto the plate.
I knew the bag was from the Midnight Gardener and not some bomb-wielding terrorist because the M.G. always used Ace Hardware bags. How he got such a large cache of these bags, I don’t know. Sometimes, when special instructions were needed, a typed note would be stapled to the bag and, in a spidery hand, would be the valediction: “Signed, the Midnight Gardener.” Standing in the morning air of my stoop, spying the bag’s brown striped visage, my mouth watered. Jumbled inside would be pods of homegrown okra aching for an iron skillet, calling for buttermilk and cornmeal, eager to be fried in hot oil.
Or—oh, my goodness—the figs. Purple skinned, shaped like the ball on a court jester’s hat, the figs would be stuffed into a plastic baggie. The baggie steamed from the breathing life of the figs. Rescue the caught figs quickly, or they liquefied. Don’t bother with peeling, wash them off, sink your teeth into their seeded insides. Gulp them down—plenty more where that came from.
How did I know about the unlimited quantity of figs? Because the figs came from my family’s tree, the officially-certified State Champion Fig Tree of Mississippi. That means it’s the largest fig tree in the state. The gargantuan tree produced enough figs to make fig preserves, fig tarts, fig whatever. But because my family is a family of fig purists, mostly just plain, raw figs. Summer rolled around, the tree did its job, and the figs flowed.
Until I moved away, and it all stopped.
Not right away. For a while the Midnight Gardener took to the post. He couriered the produce between my old law firm in Jackson and my new law firm in Memphis.
But that didn’t last.
Law firms aren’t big on couriered produce.
Soon enough, I lost it all. Figs, Ambrosia melon. Silver Queen corn. Banana peppers. The food of the gods offered like manna in fistfuls, sufficient only for a couple of days. More than sustenance, it was essence. The essence of what it meant to live in the South in the summer. To be fed with the land’s bounty, not from a tilled field but from a plot of earth you could identify. Shared produce, gifted from a generosity of seeding and weeding and watering and hoeing and picking before the pods got too large, the worms too destructive, the birds too greedy. Then slipped into a crumpled brown bag by my Uncle Hebron who donned his magical cape and became, for the night, the Midnight Gardener.
Stepping into my drive, he settled his bounty on the hood of my car. He is still with us, my uncle, but not the produce he produced.